series in progress: TEXT TO OBJECT
Worktitle: On Jewellery
Year: 2022
Year: 2022
11/21
I smell like perfumes worn by people when they return from abroad*
I am just sitting at home making towers out of toilet paper
I swear if I will be here longer soon I will confuse these walls
With my own skin
I just sit in my beige tracksuit and my even more beige sofa and watch them
Two robust hairy bodies, jumping on each other
/and then relief in my old gray underclothes
I can’t offer you more than firm curly hair
Hands that smells like black saffron
Eating butter on moldy bread
I am afraid I’ll die of a stroke
Forever floating in hypnagogia
When you cut yourself they saw you up
As if you were clothes
I bought myself a cheap bijouterie ring
To replace people
I can’t have at this moment
Jewelry is a stitch
Holding together everything that is torn
Languishing body
Surrounded by books and vitamins
Don’t have a contemporary virus but wither
Chunky chains (mixed metals) around my neck
Melding into the mass of bacteria
All Rights Reserved: Kristina Deska Nikolić, 2021
I smell like perfumes worn by people when they return from abroad*
I am just sitting at home making towers out of toilet paper
I swear if I will be here longer soon I will confuse these walls
With my own skin
I just sit in my beige tracksuit and my even more beige sofa and watch them
Two robust hairy bodies, jumping on each other
/and then relief in my old gray underclothes
I can’t offer you more than firm curly hair
Hands that smells like black saffron
Eating butter on moldy bread
I am afraid I’ll die of a stroke
Forever floating in hypnagogia
When you cut yourself they saw you up
As if you were clothes
I bought myself a cheap bijouterie ring
To replace people
I can’t have at this moment
Jewelry is a stitch
Holding together everything that is torn
Languishing body
Surrounded by books and vitamins
Don’t have a contemporary virus but wither
Chunky chains (mixed metals) around my neck
Melding into the mass of bacteria
All Rights Reserved: Kristina Deska Nikolić, 2021
*here I quote Natalija Paunic.